A lot of the discussion about the future of TV is about how it will die in the context of the online alternative. I myself watch nearly all the video that I do on the web now. I think that it is inevitable that in a few years this will be commonplace.
This raises the large question - what is the new business model? For stations and for producers?
As Dave Snowden suggests, when you have a complex problem, you can only experiment until you see the new emerge.
In this context, KETC has been conducting as series of experiments to seek out answers. I have shown you how they are using their ideas about being the convener for major community issues such as the Mortgage Crisis and Flu. KETC are getting close to answer a related question - how does a public station get the support it needs from its local community.
Today I would like to share with you a big idea that they are trying to answer the Producer question. How do you get a return on high quality content in the online social age?
Our big idea is one that Hugh McLeod has long espoused - Create a "Social Object".
Here is quick summary of what we are trying. Then I will unpack the ideas and show you the details - my hope is that you can see the DNA of our approach and hence then see how you might use this or improve it.
We picked a community that exists - that is not merely a fan based community - but a community of rabid Participants that had an equally rabid following. A Community that spans North America with chapters in every major centre. We picked a community that everyone admires an thinks is worthwhile. We picked a community that does something very visual and where drame and story is built in. We picked an ideal starting point to create a Social Object - We picked First Robotics. If you are one of the 3 people in North America who know nothing about this - here is a link, In essence this is a community that hosts teams who kids who build robots and then compete with them in a national series.
- We then picked a series of partners that would enable us to follow many teams on their way to the finals and from all of this found our "heroes" and our narrative. That was the classic Content part that was not new.
- We then built a supporting web world that will act as the Social Amplifier for not only the film but the entire community - that is the new aspect and this has a number of features that I think will become useful for any such community and project. Imagine a "Jane Austen" community that enfolds Masterpiece Theatre? Imagine A Science Fair community that enfolds say Nova?
So here are some of the features that we have put together - as you can see this is not hard to do technically - the barriers, as always are cultural.
Just a taste of the excitement.
Lesson 1 - While we have a banner on our main page that takes you here - we have a dedicated piece of real estate for the community. With the web, we can have an infinite amount of dedicated real estate. At KETC we have an Economic area - A Flu area and now the Gear Up area - there is really no limit. This is the SPACE where the community will be hosted - not just a page.
Here you can see a small section of the national map for First. These are the nodes of a scale free network. Each community can have their own local space. So what is National is also local. In aggregate we might get something remarkable.
This is what all scale free networks look like. This is actually a picture of flu!. This is the test for you. The Pattern" must look like this, if you have any chance of getting life and emergence from your network.
The Gear Up First design enables this to occur.
If we follow the Jane Austen Book Club idea - every city can have a boo club. People meet face to face and then go on to meet regionally and then nationally. Such a network can afford to have say Colin Firth visit! The national producer has this huge keen and identified group to base their ideas, projects and funding on.
We are using Facebook and Twitter to bind the local, regional and national groups more tightly. We have used our Trust as the host.
With more and more safe and trusted connections - there is more chance of Emergence. The deep value of Public TV is Trust. Communities need this to flourish. So part of our role here is Hosting - providing that safe place on the unsafe web.
Now the kids themselves and their families have a local, regional and national place to put up their own content. So this space is not just for chat or for KETC to show content - but for all in the group.
Having a film that is a social object means in the end that people get together. The climax for First is the nationals. This is the SXSW of First. For the next few years, St Louis, the home of KET, will be the host.
As many of us who are the children of the social web have found, meeting each other is the payoff. Star Trek? First? Jane Austen?
These kind of events in themselves create more energy - social and economic. Is not the new model for authors to use the book as a social object to convene face to face meetings that pay?
Such a process is different from the traditional mass media model where over time, interest wanes and more and more resources are required to keep the show on the road. With a good social object, the social power scales over time and the group resources take over from the seed resources.
It's like gardening. If you tend and care for your tomato plant until it is time to plant, by fall nature and the plant will give you the crop.
Our film is just the seed for a whole garden of First related stuff to come.
Of course this is early days. This is an experiment. There will be some parts that do better than others. But I think we are close to a model that will work - will offer the public and the producer a great return in the new web age.
What do you think?







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