We live in a society enamored by passive entertainment and increasingly invested in the virtual experience. Fewer of us have jobs that show us the tangible results of our efforts. Rarer still are full claim on a project or creative license in our work. It leaves a gap, I think, in how we live – in how we exercise the innate physical and creative abilities that make us human.
Although we tend to think of our pre-Neolithic ancestors as living a life stuck in the dirt with no sense of the arts or any other “refinement,” we’re far off course in that assumption. Artistry is indeed an anthropological indicator of modern behavior, but evidence of these inclinations date back tens of thousands of years before the Agricultural Revolution. Our Paleolithic ancestors were creating jewelry from eggshells and bone fragments. They were sewing clothes with animal sinew. They formed vessels and wove baskets. They created paints and dyes. They chiseled spear heads from metal so brittle few of us can even imagine the deftness required. They meticulously whittled shafts for the most aerodynamic, accurate spears. They designed vast stretches of nuanced cave art.
As anthropologists suggest, these inclinations toward craft and artistry were selected for. They increased the survival chances of individuals and their communities. A skilled spear maker added obvious value. Yet those who could design jewelry or other adornment introduced “material metaphors” and “social technologies” that enhanced kinship relationships and community identity as well as expanded the terms of inter-band negotiation.
Artistry then was usable if not practical. Today, Western society has largely segregated art to an aesthetic corner. It may represent life but doesn’t intersect much with it. However, individuals still practice crafts handed down to them by family or community members. Likewise, many traditional societies continue to pass down the art forms and crafts as “collective wisdom” that help define their distinctive cultures.
A recent study (PDF) conducted by the University of California Davis Center for Reducing Health Disparities recently highlighted “the link between traditional artistic practices and mental and physical health.” Although examining such an association isn’t a simple or clear cut task with the methods of standard research, interviews suggested traditional handicraft bears positive impact on measures like “interconnected mind-body awareness,” “spiritual and emotional growth; physical vigor; strengthening of personal and community identity; and mitigation of historical trauma” as well as therapeutic “distraction from illness” and “enhanced respect for elders.”
Dr. Sergio Aguilar-Gaxiola, director of the Center for Reducing Health Disparities, explains that several “protective factors” are at work here. The practice of traditional arts, particularly as they’re handed down within a cultural community, affirms “intergenerational involvement” and “community engagement.” As Amy Kitchener, executive director of the Alliance for California Traditional Arts, notes, cultural practices are “embedded in everyday life, in ceremonies and family rites of passage” for many traditional groups and have long played a meaningful role in the concept of personal wellness. According to the researchers, traditional handiwork also enhances more individual-based factors like “resilience” and “self-efficacy.”
The study, I think, underscores far more than the power of acculturation. Many of us partake in handicraft arts with only personal interest or perhaps familial, but not necessarily cultural affiliations. Nonetheless, there’s still a gratification that comes from its connection with tradition. We understand that we’re one in a long line of individuals who have practiced the art for decades, centuries, even millennia. The urge to create – what is useful and tangible – is deeply human. There’s something about it that releases stress and brings us back to center.
A brighter future awaits those of us who work now to go home to being who humans are designed to be. If we eat what we are designed to eat, inhabit our bodies and the world as we are designed to and live in social settings that we are designed to - we will be healthy and happy.
This applies to what we do. We are designed to make things - more as an artist or an artisan.
Our world today is far far away from this zone. We eat shit. We live indoors and we do nothing with our body. We live in relative social isolation and we work in slave conditions. And most is us make nothing.
I keep thinking of Dorothy trapped in OZ. All she had to do really to Go Home was to want to go there.
And you?
